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Cannes 2026: What to Expect at This Year's Festival

Red carpet at a film premiere

Les 3 points à retenir

  • 1Guide complet et conseils pratiques
  • 2Avis d'experts et recommandations
  • 3FAQ et réponses aux questions fréquentes

The Stage Is Set

The 79th edition of the Cannes Film Festival is shaping up to be one of the most exciting in years. Scheduled for May 12–23, the festival returns to the Croisette with a lineup that promises to balance auteur heavyweights with exciting new voices. With the official selection announcement just weeks away, early reports from industry insiders paint a picture of a particularly strong competition year.

Red carpet at a film premiere

Festival president Iris Knobloch and artistic director Thierry Frémaux have reportedly been fielding an unusually large number of submissions, with several high-profile projects completing post-production specifically to target the Cannes window. The result, sources suggest, is a selection process more competitive than at any point in the past decade.

Expected Premieres in Competition

Several high-profile titles are rumored for Competition slots, though no confirmations have been made at the time of writing:

Paul Thomas Anderson is widely expected to premiere his latest work, reportedly a period drama set in 1930s California. Anderson's relationship with Cannes has been strong since Punch-Drunk Love won the Grand Prix in 2002, and insiders describe the new project as his most visually ambitious since There Will Be Blood.

Park Chan-wook is said to have a new project ready — his first since Decision to Leave, which earned the Best Director prize at Cannes in 2022. Early reports suggest a return to the psychological thriller territory that defined Oldboy and The Handmaiden.

Andrea Arnold is rumored to be bringing a new feature, having not competed in the official selection since American Honey in 2016. Arnold is a Cannes favorite, with jury prizes for both Red Road and Fish Tank.

Other names circulating include Mia Hansen-Løve, Hirokazu Kore-eda, and Céline Sciamma — any of whom would strengthen an already formidable lineup.

The Streaming Question

The ongoing tension between streaming platforms and the festival continues to evolve. Following Netflix's limited theatrical commitments in 2025, Cannes is reportedly in discussions about expanded screening windows for platform-backed titles. The key sticking point remains the same: French law requires a 15-month gap between theatrical release and streaming availability, which most platforms are unwilling to accept.

Apple TV+ has emerged as a more willing partner, having agreed to theatrical releases for previous Cannes titles. Sources suggest that at least one Apple-backed title may appear in this year's official selection — possibly the new Martin Scorsese project that has been shrouded in secrecy.

Amazon MGM Studios is also said to be positioning titles for the festival, leveraging its theatrical distribution infrastructure to satisfy Cannes' requirements.

Emerging Talent to Watch

The Un Certain Regard and Directors' Fortnight sections are expected to spotlight a new wave of filmmakers from Southeast Asia and Latin America. Early buzz surrounds debuts from Thailand and Colombia that have already impressed at smaller festivals throughout 2025.

The Semaine de la Critique, which focuses on first and second features, is rumored to have an exceptionally strong lineup this year. Watch for emerging voices from the Philippines, Senegal, and Romania — countries with vibrant independent film communities that have been gaining international attention.

The Cinéfondation section, which screens student films, will feature work from 18 film schools worldwide. It's always a fascinating preview of the next generation of auteurs — past Cinéfondation alumni include Nadav Lapid, Kornél Mundruczó, and Jessica Hausner.

The Palme d'Or Race

The jury composition always shapes the Palme d'Or conversation. While the jury hasn't been announced yet, recent years have seen a trend toward juries led by directors with strong auteur credentials — Ruben Östlund in 2023, Greta Gerwig in 2024. Whoever presides over this year's jury, the trend toward formally adventurous work is likely to continue.

Looking at recent winners — Anatomy of a Fall, Triangle of Sadness, Titane — the Palme d'Or has increasingly rewarded films that take formal risks while engaging with contemporary social themes. Expect this year's winner to follow suit.

The Marché du Film, the world's largest film market running alongside the festival, will likely reflect the industry's continued embrace of premium physical media releases. Several boutique labels are expected to announce major restoration projects, with Criterion and Arrow among those reportedly preparing significant catalog titles for the fall season.

The market is also expected to see increased activity in the AI filmmaking space, with several panels and presentations dedicated to the intersection of artificial intelligence and film production. The topic has been contentious in the industry, and the Marché provides a neutral ground for these discussions.

International co-production deals are expected to dominate the market floor, with European production incentives making cross-border collaboration more attractive than ever. Tax credits in France, Hungary, and Ireland continue to draw productions that might otherwise have filmed in the US or UK.

Practical Information

For industry professionals, accreditation opens in March, with early-bird rates available through the festival's official website. The Marché du Film badge provides access to market screenings, the industry village, and networking events throughout the festival.

For press attendees, the accreditation committee has introduced a new digital credentialing system that promises to streamline the notoriously chaotic screening queues. Whether this actually improves the experience remains to be seen — veterans of the Cannes press circuit will be cautiously optimistic.

What to Watch

Keep an eye on the Palme d'Or race — if last year's festival was any indication, the jury will favor bold, formally adventurous work that pushes the boundaries of cinematic language. We'll be covering every major premiere and providing daily dispatches from the Croisette, including reviews, interviews, and market reports.

Cannes remains the world's most important film festival — the place where reputations are made, distribution deals are signed, and the cinematic conversation for the year ahead is shaped. This year's edition promises to remind us why.

Sophie Laurent

À propos de l'auteur

Sophie Laurent

Experte high-tech & audio

Ingénieure de formation, Sophie décrypte les technologies audio et vidéo pour vous aider à choisir le meilleur équipement selon votre budget.